1956 original Jacob Pins judío grabado a mano Israel ARTE hebreo Pinocho

EUR 226,85 ¡Cómpralo ya! o Mejor oferta, EUR 23,15 Envío, 30-Día Devoluciones, Garantía al cliente de eBay
Vendedor: judaica-bookstore ✉️ (2.805) 100%, Ubicación del artículo: TEL AVIV, IL, Realiza envíos a: WORLDWIDE, Número de artículo: 276398574717 1956 original Jacob Pins judío grabado a mano Israel ARTE hebreo Pinocho. DESCRIPTIONUp for auction is an original HAND SIGNED and DATED ( 1956 ) exquisite WOODCUT - WOODBLOCK  by the acclaimed Jewish Israeli Hebrew WOODCUT-WOODBLOCK master JACOB PINS. Pins has SIGNED with a PENCIL in Hebrew פינס and German - English PINS. The WOODCUT depicts an old PUPPET ARTIST - Designing a PUPPET of PINOCCHIO. The piece is called in German " DER ALTE PUPPENMACHER" . The piece is accompanied by Jewish-German text on its back face  . Size of the piece is around 9.5" x 6 " . Excellent condition. ( Pls look at scan for accurate AS IS images ) Will be sent in a special protective sealed packaging bending proof.   

AUTHENTICITY : This is an ORIGINAL vintage HAND SIGNED in PENCIL in GERMAN - ENGLISH and HEBREW NOT a reproduction or a reprint  , It holds a life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.

PAYMENTS : Payment method accepted : Paypal & All credit cards . SHIPPMENT : SHIPP worldwide via registered airmail is $ 25  . It will be sent protected inside a protective rigid packaging .  Handling around 5-10 days after payment. 

Jacob Pins (hebräisch ‏יעקב פינס‎, Geburtsname: Otto Pins; * 17. Januar 1917 in Höxter; † 4. Dezember 2005 in Jerusalem, Israel) war ein deutsch-israelischer Maler. Er wurde vor allem als Holzschneider und Grafiker sowie als Sammler und Kenner ostasiatischer Kunst weltweit bekannt.Jacob Pins wurde als Sohn eines Tierarztes geboren, während seine Mutter das elterliche Bekleidungsgeschäft weiterführte. Wegen des zunehmenden Drucks auf die Juden ging er 1933 mit der Mittleren Reife vom Gymnasiums ab, um sich in einem Vorbereitungslager der Hachschara in Stettin auf die Auswanderung nach Palästina vorzubereiten.Nach einem letzten Besuch bei den Eltern in Höxter floh er 1936 aus dem nationalsozialistischen Deutschland und arbeitete in Palästina zunächst in einem Kibbuz. 1939 an Polio erkrankt, studierte er nach der Schließung des Kibbuz ab 1941 mit einem minimalen Stipendium bei dem ebenfalls aus Deutschland emigrierten (jüdischen) Expressionisten Jacob Steinhardt.Eine erste Ausstellung seiner Holzschnitte brachte ihm 1945 den ersten Erfolg, und viele weitere Ausstellungen der Gemälde und Holzschnitte in allen Teilen der Welt folgten. Ab 1956 unterrichtete er an der Bezalel-Akademie für Kunst und Design in Jerusalem, die ihm 1978 die Professur verlieh.Daneben trat er als maßgeblicher Kenner und Sammler ostasiatischer Kunst hervor, die ihn in seinem Werk entscheidend beeinflusste, seit er 1945 seinen ersten japanischen Farbholzschnitt erworben hatte. Sein 1982 erschienenes Handbuch „The Japanese Pillarprint“ gilt heute als grundlegendes Werk über die japanischen Pfostenbilder.Nach dem Krieg nahm er den Kontakt zu seiner Geburtsstadt wieder auf, woraus trotz der schlimmen Erinnerungen und trotz der Ermordung der Eltern dauerhafte Freundschaften entstanden. 2003 verlieh ihm die Stadt Höxter die Ehrenbürgerschaft, der er seinen äußerst umfangreichen Nachlass stiftete (Holzschnitte, Druckstöcke, Gemälde, Aquarelle, Skizzen, Entwürfe, Dokumente).Jacob Pins verstarb am 4. Dezember 2005 in Jerusalem. Preise 1957 Ohara-Preis der Biennale für Graphik in Tokio 1961 Jerusalem-Preis. 2002 wurde in Höxter die Jacob Pins Gesellschaft – Kunstverein Höxter e.V. gegründet, die sich zur Aufgabe gemacht hat, den der Geburtsstadt gestifteten künstlerischen Nachlass zu verwalten und der Öffentlichkeit zugänglich zu machen. Im April 2008 wurde deshalb im ehemaligen Adelshof Heisterman von Ziehlberg,einem Beispiel der Weserrenaissance, das Forum Jacob Pins im Adelshof eröffnet, mit dem zugleich an die in der Shoah ermordeten Eltern und die anderen Höxteraner Juden erinnert wird. *********   Jacob Pins Pioneering Israeli artist and collector snubbed by local cliques because of his German background Mordechai Beck  The Guardian,  Saturday December 17 2005  Article history How fitting that Jacob Pins, Israel's pre-eminent woodcut artist and art collector, should die in his home, a place he had transformed into a vibrant centre of culture for more than half a century. The house, on one of Jerusalem's most distinguished old streets, served not just as his residence and studio, but also as the storeroom for his priceless collection of Japanese art, a meeting place for his colleagues and students, and the place where he played host to countless visitors curious to see the master's own prints as well as items from his ever expanding collection.  Pins, who was 88, was born in Hoxter, north Germany, but left in 1936 for Palestine. His father, a veterinarian, tried to dissuade him from studying art, fearing the financial consequences of such a choice. In Palestine, Pins lived initially on a kibbutz but soon realised that this would prevent him from pursuing an artistic career. He moved to Jerusalem under the tutelage of another German immigrant artist, Jacob Shteinhardt, with whom he studied woodcut and linocut. Totally alone - his parents had been murdered in the Riga ghetto - he was dogged by poverty, living in a tiny room on "a diet of bread, water and lentil soup". He later added eggs - of any variety - to this sparse menu. The purchase of his first oriental print in 1945 coincided with his acquisition of the house on Ethiopia Street (opposite the Ethiopian church), as though the one necessitated the other. Throughout his life, he remained a discriminating and knowledgeable collector, among the country's first and most important. Artistically, he was by then branching out on his own, creating a unique blend of German expressionism and Japanese wood block printing that gave his work a sense of discipline and freedom, a fusion of the rough and the smooth that typifies his best work. In explaining his particular art form, Pins observed that "in Europe, the light is multi-toned and subtle. Here, in the Levant, it is bright and unforgiving. This is perfect for woodcuts which are formed from sharp contrasts of light and dark." A typical Pins print fuses simplified forms with dramatic compositions, often underscored by his use of the texture of the wood to bring out a sensual, and sometimes erotic, dimension to his subjects. Pins taught at Israel's premier art schools, most notably Bezalel, between 1956 and 1977, raising a generation of students who would develop his pioneering work in their own way. He earned a reputation as a demanding teacher, placing technical skills and discipline at the forefront of an artist's education. Simultaneously, he established Jerusalem's Artists' House, which became a magnet for the city's artists to meet and exhibit. Even today, it is central to the capital's artistic life. Pins' own work has been exhibited and purchased by museums and collectors around the world. A few years ago, 20 of his works were bought by the British Museum's prints department. His prints range from portraits and landscapes to animals and narrative scenes. He produced two major books, Till Olenshpiegel and Michael Kolhoz - the latter being only recently republished with the full-size, original wood blocks that he had designed some 50 years earlier. In 1982, he received the Jerusalem Prize for Art. That he did not receive the Israel Prize, is, according to Milcah Chissick, "because he was a 'yekke' (a derogatory term used by Israelis for German-Jewish immigrants), and was never considered sufficiently avant-garde". This oversight possibly reflects more the ingrained narrowness of the local art establishment rather than any lack in Pins' prodigious and innovatory output. His final disappointment with the local art cliques was their refusal to accept his entire corpus - including his oil paintings - as a gift. These will now go to his home town of Hoxter, which is building a museum for them in the name of Pins and his parents. Married for many years to Elsa (the subject of a number of his prints) he had no children, expressing his belief that the life of the artist is one "to which you have to be married". · Jacob Pins, woodcut artist, born January 17 1917; died December 4 2005 ********  As reported briefly earlier, the dean of Israeli woodcut artists and noted collector of Japanese prints and paintings, Jacob Pins, died in Jerusalem at the age of 88. One of the last of the hundreds of yekkes (German Jews) who dominated the arts, literature and medicine in Jerusalem between 1935-65, Pins was born in Germany in 1917, and arrived here on a student visa in 1936. His massive collection of Japanese woodprints, paintings and sculptures, destined for the Israel Museum and exhibited there on several occasions, is extraordinary; and he wrote the definitive book on hashira-e, Japanese woodblock pillar prints, elongated designs that once hung on the slim wooden pillars of 18th and 19th-century pleasure houses.  Unsurprisingly, the Japanese influence appeared in Pins's own work; there was an overt reference to it in a number of his works on paper, notably in his fine gestural brush paintings of roosters (also the subject of his best-known woodcuts). But the overwhelming influence on his work was European. His posterish oils and their high coloration owed more to Kandinsky and the great modernist movements of early 20th-century German painting than anything else, even though the psychological effects of his exposure to Japanese formal restraint remained evident.  Pins grew up in Hoxter; his parents got him to Palestine but were unable to extricate themselves, and were deported and killed in the Riga Ghetto in 1944.  Pins went first to a kibbutz. When it was disbanded in 1941 he had nothing to eat, but begged entry to a private art school run by woodcut master and painter Jacob Steinhardt, a teacher of woodcut at the New Bezalel School and later its director (Bezalel was then not yet an academy).  Steinhardt, a member of the Brucke group and a pupil of Lovis Corinth, had fought for Germany in World War I. Pins studied with him until 1945 (and made drawings of Steinhardt and his wife, Minni). Through Steinhardt, the influence of Corinth filtered down to Pins as well.  By 1956, Pins had replaced Steinhardt as teacher of woodcut and drawing at Bezalel, and the influence of the Japanese print was evident in many of his minimalist woodcuts. Exhibited at the Israel Museum was his outstanding series of woodcut illustrations to Michael Kohlhaas by Heinrich von Kleist.  It was back in 1945 that the penniless, half-starved Pins scraped together the modest price of his first Japanese woodcut print. Helped by an uncle, he bought some more in London in 1951. Pins, never wealthy, continued to hunt for woodblock prints, ink-wash paintings and sculptures throughout his life, financing their purchase by selling off lesser pieces as he set his sights higher and higher.  His large apartment, in an old house in Jerusalem's Rehov Hahabashim, opposite the Ethiopian Church, soon took on the aspect of a museum. In his collection are masterpieces by Utamaro, Toyokuni, Hiroshige and Koryusai; and ink paintings by Hakuin, one of the most noted Zen painters, among many others. ************   Jacob Pins (damals noch Otto Pins) wurde am 17. Jan. 1917 in Höxter geboren. Nach der Volksschule besuchte er ab 1927 das KWG, bis er im September 1933 wegen der zunehmenden Einschränkungen der Juden durch das Nazi-Regime abging, um sich in einem Vorbereitungslager auf seine Auswanderung nach Palästina vorzubereiten.  In einem Brief schreibt er später: „Im Herbst 1933, als Obersekundaner, verließ ich das Gymnasium, als mir klar war, dass ich dort keine Zukunft mehr hatte. Natürlich ist mir viel Schlimmes erspart geblieben, da ich Höxter Anfang 1935 verlassen habe, um mich in Stettin noch eineinhalb Jahre körperlich und fachlich auf das Leben in Palästina vorzubereiten. Im August 1936 kam ich noch einmal für kurze Zeit zurück, um zu packen und endgültig von meinen Eltern und Freunden Abschied zu nehmen. Natürlich wusste ich damals noch nicht, dass es ein Abschied für immer von meinen Eltern war, denn wir hatten geplant, dass sie mir möglichst bald nachfolgen sollten. Leider kam es anders, und noch bevor es meinen Eltern gelang, die politischen, finanziellen und bürokratischen Hürden und Hindernisse zu überwinden, brach der Krieg aus und die Falle war geschlossen. Im Dezember 1941 wurden sie mit den übrigen Juden aus Höxter nach Riga ins Getto geschickt und dort im Juli 1944 ermordet.“ Ein weiterer Brief gibt Auskunft über die schwere Situation in Palästina in den ersten Jahren: „Ich bin bereits im August 1936 nach dem damaligen Palästina ausgewandert und lebte bis 1941 in einem Kibbuz. Es war dies eine außerordentlich schwere Zeit. Wir hatten noch keinen eigenen Boden und lebten als Tagelöhner von der Außenarbeit in Citrusplantagen. Es war eigentlich eine Saisonarbeit, hauptsächlich im Winter zur Ernte, während der Sommer ständig Arbeitslosigkeit brachte. […] Die Wirtschaftslage verschlimmerte sich mit dem Ausbruch des Weltkrieges, da der Export von Orangen nach Europa eingestellt wurde. Wir hatten nicht mehr genug zu essen und litten buchstäblich Hunger. Fast noch mehr litten wir unter der Arbeitslosigkeit. Schließlich, 1941, gaben wir auf und schlossen den Kibbuz, ein seltener Fall.“ In dieser scheinbar ausweglosen Situation hatte Jacob Pins, zusätzlich seit 1939 durch Kinderlähmung gehandicapt, den Mut, seinem Leben eine ganz neue Richtung zu geben: „Ich beschloss nun, gegen den Rat aller Freunde und Bekannten, einen alten Traum zu verwirklichen und Kunst zu studieren. Den Kibbuz hatte ich völlig mittellos verlassen, meine Kleider waren in den zurückliegenden fünf Jahren völlig zerschlissen, ich konnte mich kaum noch unter Menschen zeigen. Nur meinem westfälischen Dickkopp ist es zu danken, dass ich nicht aufgab und nach unendlichen Mühen erreichte, dass ich ein kleines Stipendium bekam, um bei Jakob Steinhardt in Jerusalem mein Studium zu beginnen. […] Mein Stipendium war jedoch äußerst knapp. Ich musste weiterhin mehr als sparsam leben und das Spitzwegsche Bild vom armen Poeten wäre mir damals als Darstellung luxuriösen Wohllebens erschienen. Immerhin, allen Widerständen zum Trotz schaffte ich es und stellte 1945 in einer kleinen Galerie in Tel Aviv zum erstenmal meine Holzschnitte aus. Zu meiner Überraschung war es ein voller Erfolg, sogar das Museum kaufte eine Arbeit an. Ich war auf dem Weg und stellte in den folgenden Jahren ständig aus.“ Seitdem sind fast sechs Jahrzehnte vergangen, und der Künstler Jacob Pins hat inzwischen weltweit Anerkennung gefunden. 1949 war er unter den Gründern des Jerusalemer Künstlerverbandes. 1952 illustrierte er die hebräische Ausgabe von Kleists „Michael Kohlhaas“. Zahlreiche Ausstellungen in Süd- und Nordamerika, Australien und Europa folgten. 1957 erhielt er den Ohara-Preis der Biennale für Graphik in Tokio, 1961 den Jerusalem-Preis. Seit 1956 unterrichtet Jacob Pins an der Bezalel Akademie für Kunst und Design in Jerusalem, die ihm 1978 die Professur verlieh. Bekannt wurde er außerdem als Experte ostasiatischer Kunst, seit er 1945 seinen ersten japanischen Farbholzschnitt erworben hatte, der den Grundstock einer großen Sammlung japanischer Pfostenbilder bildet, über die er 1982 das maßgebliche Handbuch „The Japanese Pillarprint“ veröffentlichte. Trotz der eigenen schlimmen Erfahrungen und trotz der Ermordung der Eltern durch das deutsche Nazi-Regime nahm Jacob Pins die Verbindung zu Höxter wieder auf. Im August 1959 kam er zu einem ersten kurzen Besuch nach Höxter, ein zweites Mal 1967 zur Ausstellung seiner Holzschnitte im Kunstkabinett Henze. Bei weiteren Besuchen entstanden in den 1980er Jahren intensive Freundschaften, auch mit Gegenbesuchen in Israel. Ein besonders erschütternden Moment war es, als Jacob Pins im November 1988 bei einem kurzen Aufenthalt in Höxter und einem Besuch der von der Friedensinitiative Höxter zusammengestellten Ausstellung über „Juden in Höxter“ auf einem Foto plötzlich seinen Vater im Dezember 1941 beim Abtransport ostwestfälischer Juden vom Verladebahnhof in Bielefeld ins Getto Riga entdeckte: „Das ist mein Vater… Als ich das sah auf dieser Ausstellung, war ich ungeheuer bewegt, ich kann Ihnen gar nicht sagen, wie.“ Weitere Besuche und erneute Ausstellungen in Höxter folgten. 1989 gab es große Retrospektive in Corvey. 1995 fand eine kleinere Ausstellung von Holzschnitten im Rathaus statt. 1999 würdigte die Stadt Höxter Jacob Pins durch einen offiziellen Empfang, bei dem er sich auch in das Goldene Buch der Stadt eintrug. Im Jahr 2002 übereignete Jacob Pins einen großen Teil seiner Werke an die Stadt Höxter, von denen nur ein kleiner Teil im September 2003 in der hiesigen Sparkasse der Öffentlichkeit präsentiert werden konnte. Am 15.9.2003 verlieh ihm die Stadt Höxter auf Vorschlag der neu gegründeten „Jacob-Pins-Gesellschaft“ das Ehrenbürgerrecht. Es war der letzte Besuch von Jacob Pins in Höxter. Dafür erreichten immer mehr Sendungen seine Geburtsstadt. Die Sammlung der Holzschnitte, Aquarelle, Zeichnungen, Gemälde, Drucke und Skizzen ist inzwischen auf über 800 angewachsen, ein Fundus für zahlreiche Ausstellungen in Höxter, Detmold, Warburg, Dringenberg, Trier, Celle. Weitere sind laufend in Vorbereitung. Gern wäre Jacob Pins noch einmal nach Höxter gekommen, wie er bei einem Besuch Höxteraner Freunde im Oktober 2005 betonte. Es sollte nicht mehr sein. Jacob Pins starb am 4. Dez. 2005 in Jerusalem im Alter von 88 Jahren. Seit April 2008 bieten das Forum Jacob Pins im Adelshof Heisterman von Ziehlberg jetzt einen angemessenen Rahmen die Werke dieses aus Höxter stammenden Künstlers  .     ebay25 meirjune + folder 176

Jacob Pins (hebräisch ‏יעקב פינס‎, Geburtsname: Otto Pins; * 17. Januar 1917 in Höxter; † 4. Dezember 2005 in Jerusalem, Israel) war ein deutsch-israelischer Maler. Er wurde vor allem als Holzschneider und Grafiker sowie als Sammler und Kenner ostasiatischer Kunst weltweit bekannt.Jacob Pins wurde als Sohn eines Tierarztes geboren, während seine Mutter das elterliche Bekleidungsgeschäft weiterführte. Wegen des zunehmenden Drucks auf die Juden ging er 1933 mit der Mittleren Reife vom Gymnasiums ab, um sich in einem Vorbereitungslager der Hachschara in Stettin auf die Auswanderung nach Palästina vorzubereiten.Nach einem letzten Besuch bei den Eltern in Höxter floh er 1936 aus dem nationalsozialistischen Deutschland und arbeitete in Palästina zunächst in einem Kibbuz. 1939 an Polio erkrankt, studierte er nach der Schließung des Kibbuz ab 1941 mit einem minimalen Stipendium bei dem ebenfalls aus Deutschland emigrierten (jüdischen) Expressionisten Jacob Steinhardt.Eine erste Ausstellung seiner Holzschnitte brachte ihm 1945 den ersten Erfolg, und viele weitere Ausstellungen der Gemälde und Holzschnitte in allen Teilen der Welt folgten. Ab 1956 unterrichtete er an der Bezalel-Akademie für Kunst und Design in Jerusalem, die ihm 1978 die Professur verlieh.Daneben trat er als maßgeblicher Kenner und Sammler ostasiatischer Kunst hervor, die ihn in seinem Werk entscheidend beeinflusste, seit er 1945 seinen ersten japanischen Farbholzschnitt erworben hatte. Sein 1982 erschienenes Handbuch „The Japanese Pillarprint“ gilt heute als grundlegendes Werk über die japanischen Pfostenbilder.Nach dem Krieg nahm er den Kontakt zu seiner Geburtsstadt wieder auf, woraus trotz der schlimmen Erinnerungen und trotz der Ermordung der Eltern dauerhafte Freundschaften entstanden. 2003 verlieh ihm die Stadt Höxter die Ehrenbürgerschaft, der er seinen äußerst umfangreichen Nachlass stiftete (Holzschnitte, Druckstöcke, Gemälde, Aquarelle, Skizzen, Entwürfe, Dokumente).Jacob Pins verstarb am 4. Dezember 2005 in Jerusalem. Preise 1957 Ohara-Preis der Biennale für Graphik in Tokio 1961 Jerusalem-Preis. 2002 wurde in Höxter die Jacob Pins Gesellschaft – Kunstverein Höxter e.V. gegründet, die sich zur Aufgabe gemacht hat, den der Geburtsstadt gestifteten künstlerischen Nachlass zu verwalten und der Öffentlichkeit zugänglich zu machen. Im April 2008 wurde deshalb im ehemaligen Adelshof Heisterman von Ziehlberg,einem Beispiel der Weserrenaissance, das Forum Jacob Pins im Adelshof eröffnet, mit dem zugleich an die in der Shoah ermordeten Eltern und die anderen Höxteraner Juden erinnert wird. *********   Jacob Pins Pioneering Israeli artist and collector snubbed by local cliques because of his German background Mordechai Beck  The Guardian,  Saturday December 17 2005  Article history How fitting that Jacob Pins, Israel's pre-eminent woodcut artist and art collector, should die in his home, a place he had transformed into a vibrant centre of culture for more than half a century. The house, on one of Jerusalem's most distinguished old streets, served not just as his residence and studio, but also as the storeroom for his priceless collection of Japanese art, a meeting place for his colleagues and students, and the place where he played host to countless visitors curious to see the master's own prints as well as items from his ever expanding collection.  Pins, who was 88, was born in Hoxter, north Germany, but left in 1936 for Palestine. His father, a veterinarian, tried to dissuade him from studying art, fearing the financial consequences of such a choice. In Palestine, Pins lived initially on a kibbutz but soon realised that this would prevent him from pursuing an artistic career. He moved to Jerusalem under the tutelage of another German immigrant artist, Jacob Shteinhardt, with whom he studied woodcut and linocut. Totally alone - his parents had been murdered in the Riga ghetto - he was dogged by poverty, living in a tiny room on "a diet of bread, water and lentil soup". He later added eggs - of any variety - to this sparse menu. The purchase of his first oriental print in 1945 coincided with his acquisition of the house on Ethiopia Street (opposite the Ethiopian church), as though the one necessitated the other. Throughout his life, he remained a discriminating and knowledgeable collector, among the country's first and most important. Artistically, he was by then branching out on his own, creating a unique blend of German expressionism and Japanese wood block printing that gave his work a sense of discipline and freedom, a fusion of the rough and the smooth that typifies his best work. In explaining his particular art form, Pins observed that "in Europe, the light is multi-toned and subtle. Here, in the Levant, it is bright and unforgiving. This is perfect for woodcuts which are formed from sharp contrasts of light and dark." A typical Pins print fuses simplified forms with dramatic compositions, often underscored by his use of the texture of the wood to bring out a sensual, and sometimes erotic, dimension to his subjects. Pins taught at Israel's premier art schools, most notably Bezalel, between 1956 and 1977, raising a generation of students who would develop his pioneering work in their own way. He earned a reputation as a demanding teacher, placing technical skills and discipline at the forefront of an artist's education. Simultaneously, he established Jerusalem's Artists' House, which became a magnet for the city's artists to meet and exhibit. Even today, it is central to the capital's artistic life. Pins' own work has been exhibited and purchased by museums and collectors around the world. A few years ago, 20 of his works were bought by the British Museum's prints department. His prints range from portraits and landscapes to animals and narrative scenes. He produced two major books, Till Olenshpiegel and Michael Kolhoz - the latter being only recently republished with the full-size, original wood blocks that he had designed some 50 years earlier. In 1982, he received the Jerusalem Prize for Art. That he did not receive the Israel Prize, is, according to Milcah Chissick, "because he was a 'yekke' (a derogatory term used by Israelis for German-Jewish immigrants), and was never considered sufficiently avant-garde". This oversight possibly reflects more the ingrained narrowness of the local art establishment rather than any lack in Pins' prodigious and innovatory output. His final disappointment with the local art cliques was their refusal to accept his entire corpus - including his oil paintings - as a gift. These will now go to his home town of Hoxter, which is building a museum for them in the name of Pins and his parents. Married for many years to Elsa (the subject of a number of his prints) he had no children, expressing his belief that the life of the artist is one "to which you have to be married". · Jacob Pins, woodcut artist, born January 17 1917; died December 4 2005 ********  As reported briefly earlier, the dean of Israeli woodcut artists and noted collector of Japanese prints and paintings, Jacob Pins, died in Jerusalem at the age of 88. One of the last of the hundreds of yekkes (German Jews) who dominated the arts, literature and medicine in Jerusalem between 1935-65, Pins was born in Germany in 1917, and arrived here on a student visa in 1936. His massive collection of Japanese woodprints, paintings and sculptures, destined for the Israel Museum and exhibited there on several occasions, is extraordinary; and he wrote the definitive book on hashira-e, Japanese woodblock pillar prints, elongated designs that once hung on the slim wooden pillars of 18th and 19th-century pleasure houses.  Unsurprisingly, the Japanese influence appeared in Pins's own work; there was an overt reference to it in a number of his works on paper, notably in his fine gestural brush paintings of roosters (also the subject of his best-known woodcuts). But the overwhelming influence on his work was European. His posterish oils and their high coloration owed more to Kandinsky and the great modernist movements of early 20th-century German painting than anything else, even though the psychological effects of his exposure to Japanese formal restraint remained evident.  Pins grew up in Hoxter; his parents got him to Palestine but were unable to extricate themselves, and were deported and killed in the Riga Ghetto in 1944.  Pins went first to a kibbutz. When it was disbanded in 1941 he had nothing to eat, but begged entry to a private art school run by woodcut master and painter Jacob Steinhardt, a teacher of woodcut at the New Bezalel School and later its director (Bezalel was then not yet an academy).  Steinhardt, a member of the Brucke group and a pupil of Lovis Corinth, had fought for Germany in World War I. Pins studied with him until 1945 (and made drawings of Steinhardt and his wife, Minni). Through Steinhardt, the influence of Corinth filtered down to Pins as well.  By 1956, Pins had replaced Steinhardt as teacher of woodcut and drawing at Bezalel, and the influence of the Japanese print was evident in many of his minimalist woodcuts. Exhibited at the Israel Museum was his outstanding series of woodcut illustrations to Michael Kohlhaas by Heinrich von Kleist.  It was back in 1945 that the penniless, half-starved Pins scraped together the modest price of his first Japanese woodcut print. Helped by an uncle, he bought some more in London in 1951. Pins, never wealthy, continued to hunt for woodblock prints, ink-wash paintings and sculptures throughout his life, financing their purchase by selling off lesser pieces as he set his sights higher and higher.  His large apartment, in an old house in Jerusalem's Rehov Hahabashim, opposite the Ethiopian Church, soon took on the aspect of a museum. In his collection are masterpieces by Utamaro, Toyokuni, Hiroshige and Koryusai; and ink paintings by Hakuin, one of the most noted Zen painters, among many others. ************   Jacob Pins (damals noch Otto Pins) wurde am 17. Jan. 1917 in Höxter geboren. Nach der Volksschule besuchte er ab 1927 das KWG, bis er im September 1933 wegen der zunehmenden Einschränkungen der Juden durch das Nazi-Regime abging, um sich in einem Vorbereitungslager auf seine Auswanderung nach Palästina vorzubereiten.  In einem Brief schreibt er später: „Im Herbst 1933, als Obersekundaner, verließ ich das Gymnasium, als mir klar war, dass ich dort keine Zukunft mehr hatte. Natürlich ist mir viel Schlimmes erspart geblieben, da ich Höxter Anfang 1935 verlassen habe, um mich in Stettin noch eineinhalb Jahre körperlich und fachlich auf das Leben in Palästina vorzubereiten. Im August 1936 kam ich noch einmal für kurze Zeit zurück, um zu packen und endgültig von meinen Eltern und Freunden Abschied zu nehmen. Natürlich wusste ich damals noch nicht, dass es ein Abschied für immer von meinen Eltern war, denn wir hatten geplant, dass sie mir möglichst bald nachfolgen sollten. Leider kam es anders, und noch bevor es meinen Eltern gelang, die politischen, finanziellen und bürokratischen Hürden und Hindernisse zu überwinden, brach der Krieg aus und die Falle war geschlossen. Im Dezember 1941 wurden sie mit den übrigen Juden aus Höxter nach Riga ins Getto geschickt und dort im Juli 1944 ermordet.“ Ein weiterer Brief gibt Auskunft über die schwere Situation in Palästina in den ersten Jahren: „Ich bin bereits im August 1936 nach dem damaligen Palästina ausgewandert und lebte bis 1941 in einem Kibbuz. Es war dies eine außerordentlich schwere Zeit. Wir hatten noch keinen eigenen Boden und lebten als Tagelöhner von der Außenarbeit in Citrusplantagen. Es war eigentlich eine Saisonarbeit, hauptsächlich im Winter zur Ernte, während der Sommer ständig Arbeitslosigkeit brachte. […] Die Wirtschaftslage verschlimmerte sich mit dem Ausbruch des Weltkrieges, da der Export von Orangen nach Europa eingestellt wurde. Wir hatten nicht mehr genug zu essen und litten buchstäblich Hunger. Fast noch mehr litten wir unter der Arbeitslosigkeit. Schließlich, 1941, gaben wir auf und schlossen den Kibbuz, ein seltener Fall.“ In dieser scheinbar ausweglosen Situation hatte Jacob Pins, zusätzlich seit 1939 durch Kinderlähmung gehandicapt, den Mut, seinem Leben eine ganz neue Richtung zu geben: „Ich beschloss nun, gegen den Rat aller Freunde und Bekannten, einen alten Traum zu verwirklichen und Kunst zu studieren. Den Kibbuz hatte ich völlig mittellos verlassen, meine Kleider waren in den zurückliegenden fünf Jahren völlig zerschlissen, ich konnte mich kaum noch unter Menschen zeigen. Nur meinem westfälischen Dickkopp ist es zu danken, dass ich nicht aufgab und nach unendlichen Mühen erreichte, dass ich ein kleines Stipendium bekam, um bei Jakob Steinhardt in Jerusalem mein Studium zu beginnen. […] Mein Stipendium war jedoch äußerst knapp. Ich musste weiterhin mehr als sparsam leben und das Spitzwegsche Bild vom armen Poeten wäre mir damals als Darstellung luxuriösen Wohllebens erschienen. Immerhin, allen Widerständen zum Trotz schaffte ich es und stellte 1945 in einer kleinen Galerie in Tel Aviv zum erstenmal meine Holzschnitte aus. Zu meiner Überraschung war es ein voller Erfolg, sogar das Museum kaufte eine Arbeit an. Ich war auf dem Weg und stellte in den folgenden Jahren ständig aus.“ Seitdem sind fast sechs Jahrzehnte vergangen, und der Künstler Jacob Pins hat inzwischen weltweit Anerkennung gefunden. 1949 war er unter den Gründern des Jerusalemer Künstlerverbandes. 1952 illustrierte er die hebräische Ausgabe von Kleists „Michael Kohlhaas“. Zahlreiche Ausstellungen in Süd- und Nordamerika, Australien und Europa folgten. 1957 erhielt er den Ohara-Preis der Biennale für Graphik in Tokio, 1961 den Jerusalem-Preis. Seit 1956 unterrichtet Jacob Pins an der Bezalel Akademie für Kunst und Design in Jerusalem, die ihm 1978 die Professur verlieh. Bekannt wurde er außerdem als Experte ostasiatischer Kunst, seit er 1945 seinen ersten japanischen Farbholzschnitt erworben hatte, der den Grundstock einer großen Sammlung japanischer Pfostenbilder bildet, über die er 1982 das maßgebliche Handbuch „The Japanese Pillarprint“ veröffentlichte. Trotz der eigenen schlimmen Erfahrungen und trotz der Ermordung der Eltern durch das deutsche Nazi-Regime nahm Jacob Pins die Verbindung zu Höxter wieder auf. Im August 1959 kam er zu einem ersten kurzen Besuch nach Höxter, ein zweites Mal 1967 zur Ausstellung seiner Holzschnitte im Kunstkabinett Henze. Bei weiteren Besuchen entstanden in den 1980er Jahren intensive Freundschaften, auch mit Gegenbesuchen in Israel. Ein besonders erschütternden Moment war es, als Jacob Pins im November 1988 bei einem kurzen Aufenthalt in Höxter und einem Besuch der von der Friedensinitiative Höxter zusammengestellten Ausstellung über „Juden in Höxter“ auf einem Foto plötzlich seinen Vater im Dezember 1941 beim Abtransport ostwestfälischer Juden vom Verladebahnhof in Bielefeld ins Getto Riga entdeckte: „Das ist mein Vater… Als ich das sah auf dieser Ausstellung, war ich ungeheuer bewegt, ich kann Ihnen gar nicht sagen, wie.“ Weitere Besuche und erneute Ausstellungen in Höxter folgten. 1989 gab es große Retrospektive in Corvey. 1995 fand eine kleinere Ausstellung von Holzschnitten im Rathaus statt. 1999 würdigte die Stadt Höxter Jacob Pins durch einen offiziellen Empfang, bei dem er sich auch in das Goldene Buch der Stadt eintrug. Im Jahr 2002 übereignete Jacob Pins einen großen Teil seiner Werke an die Stadt Höxter, von denen nur ein kleiner Teil im September 2003 in der hiesigen Sparkasse der Öffentlichkeit präsentiert werden konnte. Am 15.9.2003 verlieh ihm die Stadt Höxter auf Vorschlag der neu gegründeten „Jacob-Pins-Gesellschaft“ das Ehrenbürgerrecht. Es war der letzte Besuch von Jacob Pins in Höxter. Dafür erreichten immer mehr Sendungen seine Geburtsstadt. Die Sammlung der Holzschnitte, Aquarelle, Zeichnungen, Gemälde, Drucke und Skizzen ist inzwischen auf über 800 angewachsen, ein Fundus für zahlreiche Ausstellungen in Höxter, Detmold, Warburg, Dringenberg, Trier, Celle. Weitere sind laufend in Vorbereitung. Gern wäre Jacob Pins noch einmal nach Höxter gekommen, wie er bei einem Besuch Höxteraner Freunde im Oktober 2005 betonte. Es sollte nicht mehr sein. Jacob Pins starb am 4. Dez. 2005 in Jerusalem im Alter von 88 Jahren. Seit April 2008 bieten das Forum Jacob Pins im Adelshof Heisterman von Ziehlberg jetzt einen angemessenen Rahmen die Werke dieses aus Höxter stammenden Künstlers  ****** Pinocchio (/pɪˈnoʊkioʊ/ pin-OH-kee-oh,[1] Italian: [piˈnɔkkjo]) is a fictional character and the protagonist of the children's novel The Adventures of Pinocchio (1883) by Italian writer Carlo Collodi of Florence, Tuscany.[2][3] Pinocchio was carved by a woodcarver named Geppetto in a Tuscan village. He is created as a wooden puppet, but he dreams of becoming a real boy. He is known for his long nose, which grows when he lies.[4] Pinocchio is a cultural icon and one of the most reimagined characters in children's literature. His story has been adapted into many other media, notably the 1940 Disney film Pinocchio.[5] Collodi often used the Italian Tuscan dialect in his book. The name Pinocchio is possibly derived from the rare Tuscan form pinocchio (“pine nut”) or constructed from pino (“pine tree, pine wood”) and occhio ("eye"). Fictional character description Main article: The Adventures of Pinocchio Pinocchio, by Carlo Chiostri (1901) Pinocchio's characterization varies across interpretations, but several aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies.[6] Pinocchio is known for having a short nose that becomes longer when he is under stress (chapter 3), especially while lying. In the original tale, Collodi describes him as a "rascal," "imp," "scapegrace" (mischievous or wayward person), "disgrace," "ragamuffin," and "confirmed rogue," with even his father, carpenter Geppetto, referring to him as a "wretched boy." Upon being born, Pinocchio immediately laughs derisively in his creator's face, whereupon he steals the old man's wig. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli,[7] to be a tragedy. It concluded with the puppet's execution. Pinocchio's enemies, the Fox and the Cat, bind his arms, pass a noose around his throat, and hang him from the branch of an oak tree.[8] A tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding. And the swinging gave him atrocious spasms...His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible. Characteristics Clothing and character Pinocchio is a wooden marionette (a puppet that is manipulated with wires or strings) and not a hand puppet (directly controlled from inside by the puppeteer's hand). However, the piece of wood from which he is derived is animated, and so Pinocchio moves independently. He often gets carried away by bad company and is prone to lying. His nose becomes longer when lying to others.[3] Because of these characteristics, he often finds himself in trouble. Pinocchio transforms in the novel: he promises The Fairy with Turquoise Hair to become a real boy, flees with Candlewick to the Land of Toys, becomes a donkey, joins a circus, and becomes a puppet again. In the last chapter, out of the mouth of The Terrible Dogfish with Geppetto, Pinocchio finally stops being a puppet and becomes a real boy (thanks to the intervention of the Fairy in a dream). In the novel, Pinocchio is often depicted with a pointy hat, a jacket, and a pair of colored, knee-length pants. In the Disney version, the appearance is different; the character is dressed in Tyrolean style, with Lederhosen and a hat with a feather. Nose Pinocchio's nose is his best-known characteristic. It grows in length when he tells a lie, but also does so in the book when it is first carved by Geppetto. The nose is mentioned only a couple of times in the book, but it reveals the Blue Fairy's power over Pinocchio when he acts disobediently. After the boy's struggling and weeping over his deformed nose, the Blue Fairy summons woodpeckers to peck it back to normal. Literary analysis Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus, Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.[9] Before writing Pinocchio, Collodi wrote a number of didactic children's stories for the then-recently unified Italy, including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino ('Little Johnny's voyage through Italy').[10] Throughout Pinocchio, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun. The structure of the story of Pinocchio follows that of the folktales of peasants who venture out into the world but are naïvely unprepared for what they find and get into ridiculous situations.[11] At the time of the writing of the book, this was a serious problem, arising partly from the industrialization of Italy, which led to a growing need for reliable labor in the cities; the problem was exacerbated by similar, more or less simultaneous, demands for labor in the industrialization of other countries. One major effect was the emigration of much of the Italian peasantry to cities and foreign countries such as the United States. The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end, Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts.[9] Media portrayals Literature Il Segreto di Pinocchio (1894) by Gemma Mongiardini-Rembadi, published in the United States in 1913 as Pinocchio under the Sea.[12] Pinocchio in Africa (1903) by Eugenio Cherubini.[13] The Heart of Pinocchio (1917) by Paolo Lorenzini.[14] Pinocchio in America (1928) by Angelo Patri.[15] Puppet Parade (1932) by Carol Della Chiesa.[16] The children's novel The Golden Key, or The Adventures of Buratino (1936) is a free retelling of the story of Pinocchio by Russian writer Aleksey Nikolayevich Tolstoy.[17] Some of the adventures are derived from Collodi, but many are either omitted or added. Pinocchio (Buratino) does not reform himself nor becomes a real human. For Tolstoy, Pinocchio as a puppet is a positive model of creative and non-conformist behavior. Hi! Ho! Pinocchio! (1940) by Josef Marino.[18] Astro Boy (鉄腕アトム, Tetsuwan Atomu) (1952), a Japanese manga series written and illustrated by Osamu Tezuka, recasts loosely the Pinocchio theme.[19] Pinocchio in Venice (1991) by Robert Coover.[20] Pinocchio: The Boy, (2002) children's picture book by Lane Smith. Viking Books. Fables (2002–2015), a comic book series by Bill Willingham, includes Pinocchio as a refugee, having fled his magical homeland and living in the mundane 21st century. Marvel Fairy Tales (2006–2008), a comic book series by C. B. Cebulski, features a retelling of The Adventures of Pinocchio with the robotic superhero called The Vision in the role of Pinocchio.[21] Wooden Bones (2012) by Scott William Carter describes a fictional untold story of Pinocchio, with a dark twist. Pino, as he's come to be known after he became a real boy, has discovered that he has the power to bring puppets to life himself. Pinocchio by Pinocchio (2013) by Michael Morpurgo.[22] Pinocchio was the subject of the 2015 satirical novel Splintered: A Political Fairy Tale by Thomas London.[23] The Wooden Prince (2017)[24] and Lord of Monsters (2017)[25] by John Claude Bemis adapt the story to a science fiction setting. Film Disney version Main article: Pinocchio (1940 film) Pinocchio Pinocchio as seen in Walt Disney's Pinocchio First appearance Pinocchio (1940) Portrayed by Seth Adkins (Geppetto) Voiced by Dickie Jones (1940) June Foray (Walt Disney's Mickey Mouse's Birthday Party, 1954 record album, Morris Minor commercial)[26][27] Kevin Brando (Pinocchio's Daring Journey)[28] Peter Westy (Who Framed Roger Rabbit)[29] Michael Welch (1999–2004) Seth Adkins (Kingdom Hearts)[30] Elan Garfias (Kinect: Disneyland Adventures)[31] Nick Carson (Kingdom Hearts 3D: Dream Drop Distance)[32] Joseph Ricci (Mickey Mouse)[33] Benjamin Evan Ainsworth (live-action film)[34] When Walt Disney Productions was developing the story for their film version of Pinocchio (1940), they intended to keep the obnoxious aspects of the original character, but Walt Disney himself felt that this made the character too unlikable, so alterations were made to incorporate traits of mischief and innocence to make Pinocchio more likable. Pinocchio was voiced by Dickie Jones. Today, the film is considered one of the finest Disney features ever made and one of the greatest animated films of all time. In the video game adaptation of the film, Pinocchio lives out (mostly) the same role as the film, traveling through the world filled with temptations and experiencing various forces. This Disney incarnation was later used in Who Framed Roger Rabbit, voiced by Peter Westy; and House of Mouse, voiced by Michael Welch; as well as making cameo appearances in Aladdin, Teacher's Pet, Tangled, the Mickey Mouse television series, and Ralph Breaks the Internet.[35] Child actor Seth Adkins portrayed Pinocchio in the television musical film Geppetto (2000). Pinocchio is a supporting character, voiced by Seth Adkins, in the Kingdom Hearts video game series. He plays a major role in the eponymous first game, Kingdom Hearts: Chain of Memories, and Kingdom Hearts 3D: Dream Drop Distance, while in Kingdom Hearts II he appears during a flashback at the early stages. In Kinect Disneyland Adventures, he appears as a meet-and-greet character in Fantasyland and has several quests for the player. In Epic Mickey: Power of Illusion Pinocchio is featured as one of the many iconic Disney characters kidnapped by the evil witch Mizrabel in her plot to dominate their world; he is imprisoned alongside Genie in the Cave of Wonders until eventually being rescued by Mickey Mouse. In the early 1990s, it is rumored that Elijah Wood portrayed the real-boy version of Pinocchio in the live-action segments for the updated Jiminy Cricket educational serials I'm No Fool and You, in addition to the new shorts of I'm No Fool. In March 2021, it was announced that Benjamin Evan Ainsworth would play him in Disney's 2022 live-action/CGI remake of the animated film.[34] Other film adaptations 20th century This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (January 2021) (Learn how and when to remove this template message) Pinocchio first appeared in a cinematic adaptation in Pinocchio (1911), an Italian live-action silent film, directed by Giulio Antamoro. The character is performed by French-Italian comedian Ferdinand Guillaume. A 1936 adaptation The Adventures of Pinocchio (Le avventure di Pinocchio) was planned in Italy by Raoul Verdini and Umberto Spano, but it was never entirely completed and is now considered lost. Only the original script and some still frames are all that survived the film. The Golden Key (Zolotoy Klyuchik) is a 1939 Russian movie combining live-action and stop-motion animation, directed by Aleksandr Ptushko. The story is based on the novel The Golden Key, or The Adventures of Buratino (1936) by Aleksey Nikolayevich Tolstoy. Pinocchio (Buratino) is a puppet voiced by actress Olga Shaganova-Obraztsova. The first child actor to portray Pinocchio was Alessandro Tommei in the 1947 Italian film The Adventures of Pinocchio (Le avventure di Pinocchio), directed by Gianetto Guardone. Totò portrayed Pinocchio in Toto in Color. Italian comedian Totò portrayed Pinocchio in the 1952 film Toto in Color (Totò a colori). Actor Mel Blanc voiced Pinocchio in a 1953 radio adaptation of the story. This is the second adaptation of Pinocchio with Mel Blanc involved, as Blanc voiced Gideon the Cat in the 1940 Disney film until all of his lines were deleted, save for three hiccups. The Adventures of Buratino (Priklyucheniya Buratino) is a 1959 Soviet animated feature film directed by Dmitriy Babichenko and Ivan Ivanov-Vano. The story is based on the novel The Golden Key, or The Adventures of Buratino (1936) by Aleksey Nikolayevich Tolstoy. Pinocchio (Buratino) is voiced by actress Nina Gulyaeva and in the 1998 shortened English-dubbed version (Pinocchio and the Golden Key), by child actor Joseph Mazzello. In Pinocchio (1965), the character is portrayed by actor John Joy. In the Belgian-American animated film Pinocchio in Outer Space (1965), the character is voiced by actor Peter Lazer. Pinocchio (Turlis Abenteuer) (1967) is an East German film, directed by Walter Beck. Pinocchio (Turli) is a puppet, voiced by actress Gina Prescott. In the final scene, as a boy, he is portrayed by Uwe Thielisch. Pinocchio as portrayed in Giuliano Cenci's film The Adventures of Pinocchio (1972) The Adventures of Pinocchio (Un burattino di nome Pinocchio, 1972) is an Italian animated film, written and directed by Giuliano Cenci. Pinocchio is voiced by actress Roberta Paladini with Pamelyn Ferdin doing his English voice dub. Pinocchio and His Magic Show is a 1976 American movie. Pinocchio is a puppet, voiced by an actress Ellen Prince. The Adventures of Buratino (Priklyucheniya Buratino) is a 1975 Soviet children's musical film directed by Leonid Nechayev. The story is based on the novel The Golden Key, or The Adventures of Buratino (1936) by Aleksey Nikolayevich Tolstoy. Pinocchio (Buratino) is portrayed by child actor Dmitri Iosifov. The 1977 animated film Spinnolio, created by John Weldon for the National Film Board of Canada, parodies Pinocchio with the story of a wooden boy who never comes to life, but nobody notices because his apparent skill at listening without talking makes him the ideal candidate for a job as manager of a department store's complaints desk.[36] Si Boneka Kayu, Pinokio (Pinocchio the wood puppet) is the 1979 Indonesian musical film, directed by Willy Willian, written by Imam Tantowi and based on the original story with some additional adaptations. Pinocchio is portrayed by the Indonesian actor and comedian Ateng. Pinocchio appeared in the French-Dutch TV musical film Abbacadabra (1983), directed by Rien van Wijk. He was portrayed by actor Nico Haak. Pinocho is a 1986 Argentinian movie, directed by Alejandro Malowichi. Pinocchio is portrayed by an actress Soledad Silveyra. Pinocchio appeared in Filmation's 1987 epic animated film Pinocchio and the Emperor of the Night voiced by Scott Grimes. In the 1988 animation The Adventures of Pinocchio, directed by Ippei Kuri and Jim Terry, Pinocchio is voiced by actress Danielle Romeo. He appears in the 1991 animated film The Magic Riddle. Pinocchio appeared in the 1993 direct-to-video adaptation by GoodTimes Entertainment, voiced by Jeannie Elias. He appeared in the horror film Pinocchio's Revenge (1996) played by Verne Troyer and voiced by Dick Beals. He appears as a killer puppet. He was portrayed by Jonathan Taylor Thomas in the film The Adventures of Pinocchio (1996). Thomas also voiced the title character's puppet form. In the 1999 sequel The New Adventures of Pinocchio, Pinocchio was played by Gabriel Thomson (who also voiced his puppet form). He was portrayed by actor Carmelo Bene in the Italian TV movie Pinocchio ovvero lo spettacolo della provvidenza (1999). 21st century Steven Spielberg's 2001 film A.I. Artificial Intelligence is referred to as an adaptation of Pinocchio. Stanley Kubrick called A.I. "a picaresque robot version of Pinocchio"[37] Pinocchio appears as a supporting character in the animated films Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Shrek Forever After (2010), and Puss in Boots: The Last Wish (2022), voiced by Cody Cameron. He was also featured in other animated shorts and videos of the same series: Shrek in the Swamp Karaoke Dance Party (2001), Shrek 4-D (2003), Far Far Away Idol (2004), Shrek the Halls (2007), Scared Shrekless (2010), Donkey's Christmas Shrektacular (2010), and Thriller Night (2013). Actor Roberto Benigni portrayed Pinocchio in the 2002 Italian movie Pinocchio, while the English dub voice was provided by Breckin Meyer. Pinocchio 3000 is a 2004 Canadian-French-Spanish computer-animated film, directed by Daniel Robichaud. Pinocchio, a robot that was built by Geppetto, is voiced by Canadian actress Sonja Ball in English.[38] In the 2012 Italian animated adaptation Pinocchio, directed by Enzo D'Alò, Pinocchio is voiced by child actor Gabriele Caprio in the Italian original version. In the English dub he is voiced by child actor Robert Naylor in the Canadian release, and by singer Johnny Orlando in the American one. Child actor Federico Ielapi portrayed Pinocchio in the live-action Italian film Pinocchio (2019), co-written, directed and co-produced by Matteo Garrone. Prosthetic makeup was used to turn Ielapi into a puppet. Ielapi also dubbed himself in the English-language version of the movie. Pauly Shore voices Pinocchio in the English dub of the 2022 Russian direct-to-DVD animated film Pinocchio: A True Story.[39] In 2022 Disney released Pinocchio, a live action remake of their 1940 animated version, directed by Robert Zemeckis from a screenplay by Zemeckis and Chris Weitz. In 2022, Netflix released a stop-motion musical film titled Pinocchio, inspired by Gris Grimly’s original design for Pinocchio, and co-directed by Guillermo del Toro and Mark Gustafson. The film stars Gregory Mann in the title role, along with Ewan McGregor as Sebastian J. Cricket, and David Bradley playing Geppetto. Unlike the original story or any other versions of it, Pinocchio stays a wooden puppet at the end of the movie but was still considered at the end, by his loved ones including the Wood Sprite (the movie’s counterpart to the Fairy with Turquoise Hair) (voiced by Tilda Swinton, who also voiced Death, the Sprite’s sister) as already a real boy.[40][41][42] The film received an Oscar nomination for Best Animated Feature in January 2023.[43] A horror reimagining titled Pinocchio: Unstrung will be produced by Jagged Edge Productions. It will be teased at the end of their horror film Winnie-the-Pooh: Blood and Honey 2, itself a horror imagining of the children's franchise Winnie-the-Pooh. Pinocchio: Unstrung is intended to share the same universe as Blood and Honey.[44] Television Pinocchio and Geppetto in Pinocchio: The Series Musician and comedian Spike Jones portrayed Pinocchio in the first television adaptation, a satirical version aired 24 April 1954 as an episode of The Spike Jones Show. Pinocchio was portrayed by thirteen-year-old Andrew Irvine as 'Nokie'[45] in the 1955 ITV children's series Round at the Redways. Mickey Rooney was Pinocchio in the television musical adaptation Pinocchio (1957), directed by Paul Bogart, aired 13 October 1957. In the 1959 Italian television series The Adventures of Pinocchio (Le avventure di Pinocchio), directed by Enrico D'Alessandro and Cesare Emilio Gaslini, Pinocchio is portrayed by Carlo Chamby. The New Adventures of Pinocchio (1960–61) is an American animated television series. Pinocchio is voiced by actress Joan Fowler. De avonturen van Pinokkio (1968–69) is a Dutch TV miniseries. Pinocchio is portrayed by an actress Wieteke van Dort. Tatsunoko Productions created a 52-episode anime series entitled Pinocchio: The Series, first aired in 1972. This series has a distinctly darker, more sadistic theme, and portrays the main character Pinocchio (Mokku) as suffering from constant physical and psychological abuse and freak accidents. Pinocchio was voiced by actress Hiroko Maruyama and in the 1992 English-dubbed version by actor Thor Bishopric. Pinocchio (1968) is an American musical TV film, directed by Sid Smith. It was aired on 8 December 1968 in the series Hallmark Hall of Fame. Pinocchio is portrayed by actor Peter Noone. The Adventures of Pinocchio (Le avventure di Pinocchio, 1972) is an Italian television miniseries, co-written and directed by Luigi Comencini. Pinocchio was portrayed by child actor Andrea Balestri. In 1973, Piccolo, a kaiju based on Pinocchio, appeared in episode 46 of Ultraman Taro. Another anime series starring Pinocchio, entitled Piccolino no Bōken, was produced by Nippon Animation in 1976. Pinocchio is a 1976 American television musical film, directed by Ron Field and Sid Smith, aired 27 March 1976. Pinocchio is portrayed by an actress Sandy Duncan. In 1976, Pinocchio appeared in a News Flash segment on Sesame Street, performed by Frank Oz. Pinocchio is a 1978 British television miniseries produced by the BBC in 4 episodes, directed by Barry Letts. Pinocchio is a puppet voiced by an actress Rosemary Miller. In the final scene, he is portrayed by child actor Joshua White. In 1980, Pinocchio appeared in the "Señor Wences" episode of The Muppet Show, performed by Steve Whitmire. His puppet was built by Bob Payne. In the 1980 animation Pinocchio's Christmas, directed by Jules Bass and Arthur Rankin Jr., Pinocchio is voiced by child actor Todd Porter. Pinocchio (1984) is an episode of the American television series Faerie Tale Theatre, directed by Peter Medak. Pinocchio is portrayed by actor Paul Reubens. Pinocchio was featured in a 1997 episode of the animated series Happily Ever After: Fairy Tales for Every Child, voiced by actor Will Smith. Child actor Seth Adkins portrayed Pinocchio in the television musical film Geppetto (2000) and as a guest star, in an episode of The Drew Carey Show, aired 1 March 2000. He also voiced the character in the video game Kingdom Hearts (2002). Pinocchio appeared in the Australian television series Fairy Tale Police Department (2001–02), where he works at F.T.P.D. Pinocchio is voiced by actress Maggie Dence. Child actor Robbie Kay was Pinocchio in the two-episode TV film Pinocchio (2008), directed by Alberto Sironi. Pinocchio appeared in 2010 in the animated television series Simsala Grimm in an episode of the same name. Pinocchio is a recurring character in the television series Once Upon a Time (2011–16). He appears in Storybrooke in the form of a mysterious man named August Booth (played by Eion Bailey). In the Enchanted Forest, his younger self is played by Jakob Davies, but he was released into our world before the curse by Geppetto; Geppetto had been charged with making a magic cabinet to allow Snow White and series protagonist Emma Swan to escape the curse, but Geppetto arranged for Pinocchio to enter the cabinet instead as he feared that his son would cease to exist if the curse was cast as there would have been no way for him to be born without magic. August begins to return to his wooden state towards the end of the first season due to his selfishness, but following his near-death by Tamara, the Blue Fairy restored Pinocchio to his child self for his compassion and courage and he resumes living with Geppetto. In the fourth season, he was restored to his adult state by Rumplestiltskin so that he could torture him for information about the Author. In the sixth season, it was revealed that August was the one who inspired Emma to take on the surname Swan after he shared with her the fairy tale The Ugly Duckling when they were kids. Pinocchio appeared as a villain in two episodes of The Grim Adventures of Billy & Mandy (2004 & 2006), voiced by Scott Menville. He desires to become a real boy but by eating a real boy's flesh. Pinocchio, a 2013 German miniseries starring Mario Adorf and Benjamin Sadler. Actor Sigurður Þór Óskarsson portrayed Pinocchio in an episode ("New Kid in Town") of the TV series LazyTown, aired 5 October 2014. Pinocchio, a 2014–2015 South Korean television series starring Lee Jong-suk and Park Shin-Hye. Rooster Teeth's web series RWBY features a character named Penny Polendina, who alludes to Pinocchio. Pinocchio appeared as the main character in the anthology horror comedy series JJ Villard's Fairy Tales, with John Kassir playing the role of the title puppet and his creator Gelato (an allusion to Geppetto). The horror season of Dropout's web series Dimension 20, entitled Neverafter (2022), features Pinocchio as a principal character, played by Lou Wilson. Stage productions Pinocchio (1961–1999), by Carmelo Bene. Pinocchio (1993) adapted by David Gilles. Produced by MTYP (Winnipeg, Manitoba, Canada). Starring Derek Aasland as Pinocchio and Harry Nelken as Geppetto. Review "Pinocchio's Fun Contagious" - Winnipeg Free Press[46] - Preview Play Probes Pinocchio - Winnipeg Free Press [47] Pinocchio (2002), musical by Saverio Marconi and musics by Pooh. Pinokkio (2000-2008), Flemish musical by Studio 100. The Adventures of Pinocchio is a 2007 opera in two acts by English composer Jonathan Dove with a libretto by Alasdair Middleton. The original production opened at the Grand Theatre, Leeds on 21 December 2007 with mezzo-soprano Victoria Simmonds as Pinocchio. Actor John Tartaglia portrayed Pinocchio in the original Broadway cast of Shrek the Musical (2008) as well as in the 2013 filmed version. L'altro Pinocchio (2011), musical by Vito Costantini based on L'altro Pinocchio (Editrice La Scuola, Brescia 1999). Pinocchio. Storia di un burattino da Carlo Collodi by Massimiliano Finazzer Flory (2012) The Adventures of Pinocchio is a 2009 opera by Israeli composer Jonathan Dove, "for 3 actors, flute, oboe, clarinet, horn, bassoon and piano". The musical Pinocchio - Superstar was produced by Norberto Bertassi and performed by the young talents association Teatro. Premiered on 20 July 2016 in Mödling, Austria. Pinocchio (2017), musical by Dennis Kelly, with songs from 1940 Disney movie, directed by John Tiffany, premiered on the National Theatre, London. The Making of Pinocchio—"a true tale of love and transition told through the story of Pinocchio"—is a contemporary interpretation by Rosana Cade and Ivor MacAskill, which had its UK premiere at the Battersea Arts Centre as part of the London International Festival of Theatre in 2022.; .     ebay6249 folder 216

  • Condition: Usado
  • Condition: Excellent condition. ( Pls look at scan for accurate AS IS images )
  • Religion: Judaism
  • Country of Manufacture: Israel
  • Country/Region of Manufacture: Israel
  • Handmade: Yes

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