VIOLONCHELISTA FRANCÉS ANDRE NAVARRA AUTÓGRAFO FIRMADO A MANO + FOTO + ALFOMBRA AUTÓGRAFO para violonchelo

EUR 162,45 ¡Cómpralo ya! o Mejor oferta, EUR 28,01 Envío, 30-Día Devoluciones, Garantía al cliente de eBay
Vendedor: judaica-bookstore ✉️ (2.805) 100%, Ubicación del artículo: TEL AVIV, IL, Realiza envíos a: WORLDWIDE, Número de artículo: 285756246314 VIOLONCHELISTA FRANCÉS ANDRE NAVARRA AUTÓGRAFO FIRMADO A MANO + FOTO + ALFOMBRA AUTÓGRAFO para violonchelo.

DESCRIPTION : Up for auction is a HAND SIGNED AUTOGRAPH - signature ( With a blue marker ) of the much beloved and admired French cellist and Cello teacher ANDRE NAVARRA  which is beautifuly and professionaly matted beneath a reproduction ACTION sepia PHOTO of very young NAVARRA emotionly playing his CELLO . The HAND SIGNED autograph is being a clipping from a hand written letter and NAVARRA's hand writing still remains on the verso ( An excellent evidence for authenticity ). The original hand signed AUTOGRAPH - AUTOGRAMME and the reproduction ACTION sepia PHOTO are nicely matted together , Suitable for immediate framing or display .  ( An image of a suggested framing is presented - The frame is not a part of this sale - An excellent framing - Buyer's choice is possible for extra $ 70 ). The size of the decorative mat is around 6.5 x 11 " . The size of the reproduction action photo is around 6 x 4 " . The size of the hand signed autograph is around 1.0 x 3.0 " . Very good condition of the reproduction action photo , The decorative mat  and the hand signed autograph  ( Pls look at scan for accurate AS IS images)  Authenticity guaranteed.  Will be sent inside a protective rigid packaging . 

PAYMENTS : Payment method accepted : Paypal & All credit cards. SHIPPMENT : SHIPP worldwide via registered airmail is $ 25  . Will be sent inside a protective packaging. Handling around 5-10 days after payment. 

André-Nicolas Navarra (13 October 1911 Biarritz, France – 31 July 1988 Siena, Italy) was a French cellist and cello teacher.[1] Contents 1 Early life 2 Professional career 3 Navarra after World War II 4 References Early life[edit] He was born into a musical family, his father a bassist of Italian descent.[2] His parents took steps to prepare him for music before setting him up with an instrument, teaching him scales and solfège before he began studying cello at age seven.[3] Two years later, he was accepted as a student at the Toulouse Conservatory, and graduated in 1924 with first prize at age thirteen. He then continued his studies at the Conservatoire de Paris, learning cello from Jules-Leopold Loeb and chamber music from Charles Tournemire. He graduated two years later at age fifteen, again taking first prize.[1][4][5] After the completion of his lessons at the Conservatoire de Paris, Navarra stopped taking lessons entirely—something very unusual for first-rate soloists. Instead, he worked out his own course of study, and practiced at it. This included transcribing many of the violin technical methods to make up for a lack of decent cello études, including those of Carl Flesch and Otakar Ševčík.[3] Navarra remained in Paris for this period of self-study, and used the opportunity to meet and observe the playing of musicians such as Emanuel Feuermann, the pianist Alfred Cortot, and the violinist Jacques Thibaud. Navarra also developed friendships with composers Jacques Ibert, Florent Schmitt, and Arthur Honegger. Later on, he was mentored by Pablo Casals in regard to artistic matters.[3] Professional career[edit] In 1929, at the age of eighteen, Navarra joined the Krettly Quartet, and remained with them for the next seven years. He also helped form an ensemble called the B.B.N. Trio with the pianist Joseph Benvenuti and violinist René Benedetti.[2] Two years later, he made his solo debut with Paris's Colonne Orchestra, performing Édouard Lalo's Cello Concerto in D minor. In 1933 he became principal cellist of the Paris Opéra Orchestra, in addition to continuing to appear as a soloist with various European orchestras.[1][3][4] During these years, Navarra was exceptionally athletic. His favourite sport was swimming, but he also enjoyed boxing. This led to Navarra developing an extremely strong and stocky physique which he kept for years afterward. He regarded this as ideal for a cellist, allowing him to dominate the relatively large instrument.[3] Navarra slowly continued to establish his career throughout the 1930s, receiving a major boost in 1937 when he won first prize at the Vienna International Competition. However, his career was abruptly halted by World War II in 1939. During this time he abandoned his cello and served with the French infantry.[3] Navarra after World War II[edit] In 1945, after a period of practice to regain his physical skills, André Navarra resumed his career. In 1949, he accepted a professorship at the Conservatoire de Paris as a successor to Pierre Fournier, and meanwhile toured extensively in the United States, Europe, Asia, and the Soviet Union, playing with the era's great conductors. His performances included premieres of cello concertos written for him. Among them was one by André Jolivet, which Navarra recorded for Erato; it received release in the United States on Westminster XWN-19118 (mono) and WST-17118 (stereo). He also recorded a particularly well-received version of Edward Elgar's Cello Concerto with Sir John Barbirolli conducting.[1][3][6] In addition to his position at the Conservatoire de Paris, Navarra taught master classes at the Accademia Musicale Chigiana during summers beginning in 1954, where among his students was a young Saša Večtomov, fall courses in Saint-Jean-de-Luz, and accepted an additional professorship at the Hochschule für Musik Detmold in 1958. He also taught in London and Vienna.[1][3][6] Navarra recorded Dvořák's Cello Concerto in 1954 with the New Symphony Orchestra of London, conducted by Rudolph Schwarz. Capitol Records released it in 1955, catalog number P 8301. Navarra completed acclaimed tours of Southern Africa in 1965, 1969 and 1973.[7] André Navarra (Cello) Born: October 13, 1911 - Biarritz, France Died: July 31, 1988 - Siena, Italy The noted French cellist and music pedagogue, André (-Nicolas) Navvara, was born into a musical family. At the age of seven he began studying singing as well as cello. When he was only nine years old, he was accepted as a student at the Toulouse Conservatory, from where he graduated with first prize in 1924. He then studied for two more years with Jules Leopold-Loeb (cello) and Toumemire (chamber music) at the Paris Conservatory, where at the age of fifteen he took first prize. In his youth, Navarra was an athlete as well as a cellist, being an expert middle-weight boxer and swimmer. In 1929, at the age of eighteen, André Navarra joined the Kretly String Quartet, and performed with them for the next seven years. His solo debut was with the Colonne Orchestra in Paris in 1931, when he performed the Lalo Concerto. In 1933 he became principal cellist of the Grand Opera Orchestra. He appeared as a soloist with various European orchsestras. World War II halted his career from 1939 to 1945, when André Navarra left his cello in its case, and served in the French infantry. After the war he continued concertizing, and toured the world, playing with the great conductors of the era. His recording of the Edward Elgar Concerto with John Barbirolli and the Hallé Orchestra is considered a classic. He gave premiere performances of cello concertos by Jolivet (1962) and Tomasi. (1970). André Navarra was professor of cello at the Paris Conservatory from 1949 and at the North West German Music Academy from 1958. He also taught in Siena (1954-1988), London and Vienna. Many of his students have become well-known cellists, for example, Heinrich Schiff, Johannes Goritsky and Susan Sheppard. A series of recording's from the French label Calliope has been published and there is some good playing on these disc's (Bach Suites, Camille Saint-Saëns, Schubert, etc.) He also produced LP's for the Capitol label in the 1950's (not yet re-issued on CD). The French label Dante has brought out four very excellent disc's from the 1940's. Andre Navarra wurde am 13. Oktober 1911 in Biarritz als Kind einer Musikerfamilie geboren. Sehr früh zeigte sich, dass Andre Navarra ein wirkliches Talent zum Violoncello-Spielen hatte und mit 9 Jahren begann er seine Studien am Conservatoire von Toulouse. Mit 11 Jahren gab er sein erstes Konzert. 1924 erhielt er den "premier prix" des Conservatoires de Toulouse. Zu diesem Zeitpunkt entschied er sich, sein Leben der Musik zu widmen und ab 1926 studierte er bei Jules Loeb am Pariser Conservatoire National. Nebenher war er in seiner Jugend weiterhin ein hervorragender Mittelgewichts-Boxer und Schwimmer. 1929, im Alter von 18 Jahren, wurde er Mitglied des Kretly String Quartet, mit dem er 7 Jahre konzertierte. Mit dem Lalo-Konzert gab er 1931 in Paris mit dem Kölner Orchester sein Solo-Debut. 1933 wurde er erster Cellist des Grand Opera Orchesters in Paris. Nach einem ersten Preis beim internationalen Wettbewerb in Wien 1937 begann seine internationale Karriere und er galt schnell als einer der renommiertesten Cellisten. Er wurde Solo-Cellist a der Pariser Opera Comique und Mitglied des "BBN"-Trios. Während des Zweiten Weltkriegs, von 1939 bis 1945, blieb sein Violoncello im Kasten und er diente in der französischen Infaterie. Nach Beendigung des Weltkriegs setzte er seine Karriere fort und konzertierte mit verschiedenen namhaften europäischen Orchestern. 1949 wurde er Professor am Conservatoire National Supérieur de Musique de Paris als Nachfolger Pierre Fourniers. 1967 wechselte er an die Nordwestdeutsche Musikakademie in Detmold. Nebenher gab er etliche Kurse in Sienna, Wien und London. Viele namhafte Cellisten zählten zu seinen Schülern (Heinrich Schiff, Martin Ostertag, Marcio Carneiro, Johannes Goritzki, Christoph Richter, Friedrich-Jürgen Sellheim, um nur einige zu nennen). Zahlhafte Aufnahmen und Uraufführungen rundeten sein Schaffen ab.  Andre Navarra Andre Navarra was born in Biarritz in 1911 into a musical family. At the age of seven he began studying singing as well as cello. When he was only nine years old, he was accepted as a student at the Toulouse Conservatory, from where he graduated with first prize in 1924. He then studied for two more years with Jules Leopold-Loeb at the Paris Conservatory, where at the age of fifteen he took first prize. In 1929, at the age of eighteen, he joined the Kretly String Quartet, and performed with them for the next seven years. His solo debut was with the Colonne Orchestra in Paris in 1931, when he performed the Lalo Concerto. In 1933 he became principal cellist of the Grand Opera Orchestra. World War II halted his career from 1939 to 1945, when he left his cello in its case, and served in the French infantry. After the war he continued concertizing, and toured the world, playing with the great conductors of the era. His recording of the Elgar Concerto with Barbirolli and the Halle Orchestra is considered a classic. In his youth, Navarra was an athlete as well as a cellist, being an expert middle-weight boxer and swimmer. He became professor of cello at the Paris Conservatory, and also taught in London and Vienna. Many of his students have become well-known cellists, for example, Schiff and Goritsky. A series of recording's from the French label Calliope has been published and there is some good playing on these disc's (Bach Suites, Saint-Saens Sonata's, Schubert, etc.) He also produced LP's for the Capitol label in the 1950's (not yet re-issued on CD). The French label Dante has brought out four very excellent disc's from the 1940's. Cellist André-Nicolas Navarra's family was musical. They took the sensible step of preparing him for music before they gave him an instrument, teaching him the scales and solfège by the age of seven. Once he showed a musical ear and willingness to work, they quickly started him on cello. He entered the Toulouse Conservatoire at the age of nine and graduated at 13 with first prize in cello. He was referred to the Paris Conservatoire where he studied cello with Jules Leopold-Loeb and chamber music with Tournemire, winning first prize there at the age of 15. Very unusually among first-rate soloists, he stopped taking lessons at that point; he worked out his own course of study and practiced at it. He studied violin method books, particularly the Flesch and Sevcik methods, because the student literature for cello was not as abundant. During this time of self-teaching, he remained in Paris. The city was salutary for a developing young musician. He had contact with and observed the playing of Emanuel Feuermann and also pianist Alfred Cortot and violinist Jacques Thibaud. He also became friends with composers Jacques Ibert, Florent Schmitt, and Arthur Honegger. Later, he was advised as to artistic matters by the great cellist Pablo Casals. He started to play professionally when he was 18, becoming a member of the Krettly String Quartet, which he played with for seven years. He also helped form an ensemble called the B.B.N. Trio with pianist G. Benvenuti and violinist René Benedetti. His solo debut was in 1931, playing the Lalo Concerto with the Colonne Orchestra in Paris in 1931. He joined the Paris Opéra Orchestra in 1933. During these young years, he was exceptionally athletic. His favorite sport was swimming, but he also enjoyed boxing. For years afterward, he had a strong and stocky physique. Not surprisingly, he regarded his shape as ideal for a cellist, allowing one to dominate the large instrument. He slowly continued to establish his career during the 1930s, which received a major boost in 1937 when he won first prize at the Vienna International Competition. However, his career was cut short by the outbreak of World War II in 1939, when he joined the infantry. He did not return to the cello until the war ended in 1945. After a period of practice to regain his physical skills, he re-established his career. In 1949, he was appointed professor of cello at the Paris Conservatoire. Meanwhile, he toured extensively in the U.S., Asia, and the Soviet Union, as well as Europe, and made a great recording of the Elgar Cello concerto with John Barbirolli conducting. Several composers wrote works for him, including Tomassi and Jolivet, whose cello concertos he premiered. He was particularly known for his splendid bowing technique, which he attributed to his studies of Sevcik and Flesch. His legato playing could be ravishing. For many years, he taught summer courses at the Accademia Cigiana in Siena, Italy, and autumn master classes at St. Jean-de-Luz. As a teacher, he could be tough, but generally he had a friendly, upbeat temperament and a sympathetic understanding of his pupils' problems. About the only sin that commonly aroused his anger was when a student's attention wandered from total focus on the instruction. Alexander Baillie, a British cellist who studied with Navarra, said his teacher was one of the few who had developed and taught a comprehensive and successful school of cello playing. As such, he became one of the most influential of European cellists.  EBAY4766

  • Condition: Very good condition of the reproduction action photo , The decorative mat and the hand signed autograph ( Pls look at scan for accurate AS IS images )
  • Country of Manufacture: Israel
  • Country/Region of Manufacture: Israel
  • Original/Reproduction: Original
  • Autograph Authentication: 100% Authenticity GUARANTEED - Unlimited RETURN
  • Signed: Yes
  • Industry: Music

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