Originating in Buenos Aires, Argentina, the tango can be traced back to the seventeenth century with evident influences from the havanera, tango andaluz, and milonga (creole/gaucho dance) and candombe (African-Argentine music) contributing to the early rhythmic development.
Early in the nineteenth century, European immigrations to Argentina greatly influenced the music and dance of the tango. The sad lyrics of early tangos reflect this. Tango music has since been influenced by other waves of music from Europe and the United States. Astor Piazolla, toward the end of his life, brought jazz elements into the tango.
Today, Argentine tango music is largely identified with the bandoneón— a portable accordion with buttons (instead of keys). However, until the early 1920s the bandoneón was not a frequent or obvious instrument in the tango bands. The primary instruments were the guitar, drum and flute. The use of aluminum frames allowed the bandoneón to be even lighter, and more importantly, much louder.
Producer, composer and percussionist Michael Askill introduces listeners to the history of the tango recorded in its birthplace, Buenos Aires, Argentina. Daniel Binelli and the Daniel Binelli Septeto interpret this history, including the influences of the European and African cultures, traditional and new tango, tragic and nostalgic tango, and the celebrations and romantic passions.
From 1968 through 1982, Binelli toured as a member of the Orchestra of Osvaldo Pugliese as a bandoneónist and musical arranger. In 1989, Binelli was invited by Astor Piazzolla to be a part of his New Tango Sextet, and toured with Astor Piazzolla through Europe and Latin America. He has also performed with Paquito de Rivera in Buenos Aires, and the Orchestra of Dizzy Gillespie.
Members of the Daniel Binelli Septeto include: Sergio Balderrabano on piano; Julio Graña playing violin; Diego Sanchez on the cello; Oscar Victor Carnero on the double bass; Marcelo Chiodi playing the tenor saxophone, flute and piccolo flute; and Hector (Cacho) Tejera rounding out the group on percussion.
1 | Metrópolis | 3'29" |
2 | Preludio Y Candombe | 6'36" |
3 | Entre Dos | 7'42" |
4 | Remembranza | 5'24" |
5 | Grasa Y Cemento | 6'06" |
6 | Tango Nuestro | 8'00" |
7 | Sácame Una Película, Gordito | 3'05" |
8 | Fuga Y Resurreción | 5'21" |
9 | Danza Porteña | 7'17" |
10 | Tanguedia | 4'27" |
11 | A Los Que Se Feron | 3'39" |
Total Time: | 61'45" |